BY MIA LEONIN Special to The Miami Herald It's no mistake that Teatro en Miami Studio (Spanish-language theater's Little Engine That Could), chose Ernesto García's El Celador del Desierto (The Guardian of the Desert) to commemorate the company's second year in its cozy Little Havana black box. Teatro has produced more than 15 plays in only two years -- eight of them penned by García -- and El Celador underscores the Cuban-born playwright's stylistic proclivity to high lyricism. The Spanish-language one-act, also directed by García, debuted six years ago. The new version, now with English supertitles, must adjust to a much smaller stage, but it still represents Teatro's trademark tendency toward the fantastic and often allegorical. Magdalena (Anniamary Martínez), a young, desert-wandering fugitive, has run out of places to hide when she comes across a mysterious old desert hag named Senil Lengüita (Senile Little Tongue) portrayed by Sandra García. Dressed in tatt
Noticias Teatrales de Miami